Earlier this year, discourse emerged around the idea that it has been a decade since the music industry last created a new genre. Ten years
Only a fool bets against King Gizzard & The Lizard Wizard staying still. Symphonic bombast one year, deep-fried Southern rock hoedowns the next—the Melbourne septet’s
Nina Winder-Lind might have built her name fronting The New Eves, the Brighton four-piece behind the “Hagstone rock” sound. But Wild Love, her solo debut,
To paraphrase Benny Feldman, making music with a comedic slant feels akin to abstract art – in the sense that, upon observing it, the average
Lifting the Underworld’s skirt, to reveal a world of ancient impulses worthy of Hieronymus Bosch’s paintings, is Opus Kink’s debut album, The Sweet Goodbye. Formed
There’s nothing better at a show than when the support acts complement the headliners so well that the entire evening disappears in a high-octane flash.
August is stacked with releases that pull in wildly different directions, from hardcore holdovers to hushed singer-songwriter fare. Margaret Glaspy and The Mountain Goats kick
Every so often, a debut lands that makes you wonder where on earth this band has been hiding. Enter Australian quartet, Swapmeet. They’re one of
In the music industry, labels often carry negative connotations. Horror stories about major labels forcing rebrands, encouraging petty social media campaigns, or demanding multiple albums
Punk but with an industrial edge. That’s one way to describe the Lisbon trio Maquina. We recently discovered the band at The Great Escape festival,
Subscribe to THE DELIVERY, a weekly newsletter from CONE Magazine!
Copyright 2026 © All Right Reserved
